The
Namesake Response
Jhumpa
Lahiri’s book The Namesake follows
the life of Gogol Ganguli, a man born to Indian immigrants, from birth to age
thirty two. In this way, her book is
unlike the others we have read so far since other narratives began after the
main character was already partially or fully grown. I believe this trait of the story is
especially helpful since the reader is given the opportunity to see how parts
of Gogol’s earlier life, the lives of his parents, and the lives of different
women with whom he forms relationships mold him and help him to discover who he
is.
Gogol’s
parents play the most important role in his life when they choose his
name. Nikolai Gogol is the author of a
book Gogol Ganguli’s father Ashoke was reading when he nearly died in a train
wreck. While recovering, Ashoke thought
about a conversation he had held with a fellow passenger in which he had been encouraged
to “see the world” while he could. This
conversation prompted Ashoke to move to America to continue his education after
he had recovered from the accident. Ashima,
Gogol’s mother, immigrated to America after marrying Ashoke, a man she did not
know prior to the wedding. During
Gogol’s growing up years, his parents represent his Indian heritage in their
expectations of him, their food, their habits, and the trips they take back to
India to visit family members. They are
the perpetual influence in his life, a reminder of the part of himself Gogol
tries to reject throughout the book.
Gogol’s
relationships with different women between college and age thirty also impact
his life. These women include Ruth,
Maxine, Bridget, and Moushumi. To them, he is Nikhil, the name he chose for
himself when he was a teenager. Maxine
and Moushumi have a more significant role in Gogol’s life out of these four
women. Maxine represents Gogol’s
attempts to completely become Nikhil and spurn his Indian heritage. Gogol often notices that his parents could
never conform to Maxine’s world, nor could Maxine be comfortable living like
his parents. In her world, he is
free. However, when his father dies and
Gogol experiences Indian family duty, he comes to understand that he could
never conform completely to Maxine’s world either. Moushumi is a blend between Gogol’s heritage
and the American personality he strives to adopt. Although their parents put them together, their
relationship is unlike the arranged marriages in India. Gogol and Moushumi share a living space
before their wedding and Moushumi exchanges her traditional sari for an
American evening dress at her wedding reception. In the end, Moushumi leaves Gogol for another
man. Moushumi represents the fact that
Gogol has begun to accept his background rather than reject it. He seeks the permanence the Indian culture
offers rather than the temporariness of the American culture.
These
relationships are nearly as important to the story as Gogol’s name. They mark turning points of his life’s
journey as he struggles to establish his identity. I have seen this same pattern in my
life. Without these relationships, Gogol
would definitely be a different person by the end of the book.
A very interesting response. On question that occurs to me from your discussion is whether Moushumi's betrayal of Gogol is a variation on the themes you mention, given to provide us with yet another view of this question of how one struggles with the old and new in becoming a "person among people." Very Good.
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